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Fears for the way forward for the artwork museum at College School London (UCL), which homes works by artists comparable to Paula Rego, J.M.W Turner and Stanley Spencer, have been eased by information that it has discovered a brand new short-term house. This follows a report printed in the Observer final October, which alleged that the museum was below menace of being “dismantled” as a part of redevelopment plans marking the college’s two hundredth anniversary.
UCL celebrates its bicentenary in 2026 and, through its web site, just lately announced plans to rework its areas right into a “welcoming and inclusive surroundings, combining the appeal of the Nineteenth-century heritage with the performance and requirements of the twenty first century”. This contains, says David Bindman, UCL’s emeritus professor of the historical past of artwork, changing the rooms that after held the museum into a versatile occasion house.
When this explicit proposal got here to mild final yr, UCL workers expressed concern that the museum’s assortment was being put in danger by the constructing work, and there have been fears that it could be positioned into long-term storage. Now, it has been confirmed that the establishment—which was beforehand positioned within the college’s South Cloisters, instantly accessible from the primary quad, and is at present closed as redevelopment work begins—might be moved to a extra tucked away house throughout the identical constructing whereas a everlasting answer is sought.
The UCL Artwork Museum’s former premises
Courtesy of UCL Artwork Museum
An absence of exhibition house?
The museum’s short-term house, which is anticipated to open in April, might be break up throughout two areas—a classroom and a smaller storeroom. “It appears to be like like an affordable house although it would require various signposting to seek out it”, Bindman says. “It is not one thing you are going to come throughout the best way you’ll with the museum the place it was.”
A extra urgent subject, The Artwork Newspaper understands, is that in contrast to within the earlier premises, this new location will supply no wall house for exhibitions. As well as, Bindman says he had hoped that work at present on show within the UCL workers frequent room—together with a set spotlight, Spencer’s The Nativity (1912)—can be introduced out into everlasting public view, however there are not any present plans to take action. The museum will, nevertheless, proceed to mortgage out works.
It stays unclear how lengthy the museum might be in its short-term premises, or the way it will characteristic as a part of UCL’s campus in the long run. On the time of writing, UCL had not responded to The Artwork Newspaper’s request for remark. In an announcement to the Observer final yr, earlier than the short-term transfer was introduced, a spokesperson mentioned: “Whereas the Artwork Museum might be quickly closed, its collections are being rigorously saved and may nonetheless be accessed for analysis, instructing and for open days. Within the longer-term we intention to offer new gallery and exhibition house, so our college students and the general public have higher entry to those essential artwork works.”
The topic of the museum’s future has impressed reflections from past the college itself. Esther Chadwick, a lecturer on the Courtauld Institute of Artwork and a specialist in 18th-century British artwork, tells The Artwork Newspaper: “As somebody who believes passionately within the significance of instructing with objects, I’m happy to listen to that the Artwork Museum is now on the agenda in discussions about the way forward for the UCL campus. It’s very important that there be continued entry to the museum for college kids and the general public and that the gathering have a everlasting house. There may be a lot potential right here—in future I might think about an much more formidable UCL museum that introduced the college’s artwork and cultural collections collectively, which might make it one of many best college museums within the UK.”

The Flaxman Gallery at UCL
Courtesy of UCL Artwork Museum
A various assortment
The UCL Artwork Museum is house to greater than 10,000 works courting from 1490 to the current day, amongst them works by former college students of the UCL Slade Faculty of High-quality Artwork. Girls artists make up round 45% of the Slade collections, with standout works together with Paula Rego’s Beneath Milk Wooden (1954), a gaggle portrait that pulls inspiration from a poem by Dylan Thomas, and Dora Carrington’s Feminine Determine Mendacity on her Again (1912), a piece reflecting the Slade’s then progressive guidelines permitting ladies to color from life.
The gathering—which additionally contains robust holdings of Sixteenth-century German prints, and an array of English and French caricatures—is utilized by a variety of scholars, Bindman says. These embody college students of arithmetic, cardiology and postcolonial research, the museum’s curator Andrea Frederickson has mentioned in a previous interview. It has been made accessible to the general public by appointment and likewise by loans and short-term exhibitions on web site, together with some held in collaboration with different London establishments such because the British Museum and the now-closed Zabludowicz Assortment.
But to be confirmed is the way forward for an expansive assortment of plaster fashions by the British neoclassical artist John Flaxman, which have been first dropped at UCL in 1847. Dozens of them stay set into the partitions of UCL’s Flaxman Gallery, which was particularly designed to accommodate them, although many extra have been for a very long time housed within the UCL Artwork Museum’s former house—and at the moment are caught in off-site storage. Regardless of the two hundredth anniversary of Flaxman’s demise coinciding with UCL’s personal bicentenary subsequent yr, The Artwork Newspaper understands that it has not been confirmed when and the way the brand new museum house will be capable of put the works again on show.
Stress for a everlasting answer
Going ahead, Bindman emphasises that there’s a lot of fascinating work that might be executed referring to artwork on the college. This contains uncovering and restoring a mural depicting Henry Crabb Robinson, one of many founders of the London College—which later grew to become UCL—alongside literary greats he knew comparable to William Wordsworth, William Blake, and Johann Wolfgang von Goethe. The mural is housed within the close by Dr Williams Library, which UCL acquired final yr.
The choice to protect the UCL Artwork Museum—whereas a extra everlasting answer is discovered—seems to have been made attainable partially by the strain utilized by devoted lecturers at UCL, and the related media protection it has introduced. Bindman expresses concern, nevertheless, that instructing workers are having an more and more small function in such choices.
“[There was an idea to] do one thing dramatic to enhance UCL, which all appears truthful sufficient and fantastic. However there does appear to be a degree at which the lecturers do not actually contribute sufficient to that,” he says. “I think that occurs in lots of universities, [here] and overseas too.”
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