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The Headlines
NEA NIXES GRANT. Within the newest anti-DEI information, the Nationwide Endowment for the Arts (NEA) has cancelled its Problem America arts grant program for 2026, stories Hyperallergic. The 2001-founded program awards $10,000 for arts initiatives concentrating on “underserved communities,” together with these with restricted entry to psychological well being companies. New necessities for the grant additionally lately acknowledged that recipients should certify they won’t use the cash to “promote gender ideology.” The cancelation “sends a message to company donors that they need to rethink their grant-making,” noticed Robert Kesten, govt director of Stonewall Nationwide Museum, Archives, and Library. He added that a lot of the museum’s company donors have “vanished” because the new Trump insurance policies. “That has been the most important shock, simply how briskly company and basis America has closed its doorways and is lowering the scale and scope of the general public dialog on essential points,” he added.
UNCLEAR FUTURE FOR FEARLESS GIRL. In a associated story, Artnet News stories that the “destiny” of the Fearless Lady sculpture reverse the New York Inventory Alternate by Kristen Visbal is in query. The corporate behind it has reportedly “quietly backed away from its dedication to range.” The landmark bronze sculpture, put in on Worldwide Ladies’s Day in 2017, reveals a younger woman along with her palms on her hips. In its preliminary location, she appeared to stare down the Wall Avenue Bull sculpture reverse. Nevertheless, the funding agency State Avenue World Advisors, which paid for Visbal’s set up, launched new 2025 tips on Friday, detailing the place purchasers ought to make investments, minus earlier necessities that firms meet sure gender, racial, and ethnic quotas, significantly amongst board membership. “We consider nominating committees are finest positioned to find out the simplest board composition,” state the rules. “We encourage firms to make sure that there are enough ranges of numerous experiences and views represented within the boardroom.” The corporate has renewed the sculpture’s non permanent allow at its present location many instances prior to now, however Artnet stories that it’s unclear whether or not it can need to safe a 10-year allow, making certain its long term show.
The Digest
The Japanese Fluxus artist Tatsumi Orimoto, born in 1946, additionally identified for his Bread Man character, has died. The artist famously connected loaves of bread onto his face like a masks, creating an alter-ego he carried out within the streets, and in addition together with his mom. [ArtReview]
German artist Anselm Kiefer says he feels “threatened” by his native nation’s far-right AfD get together, and its latest positive factors in a federal election. The 79-year-old spoke throughout the preview of his exhibition, “Inform Me The place the Flowers Are,” in Amsterdam’s Van Gogh Museum and Stedelijk Museum, from March 7 to June 9, 2025. [Le Figaro and AFP]
Banksy’s portray Crude Oil (Vettriano), a re-imagined model the late Scottish painter Jack Vettriano’s portray, The Singing Butler, offered at Sotheby’s in London for $5.4 million (inside its estimate). [BBC]
Nora Razian and Sabih Ahmed will curate the forthcoming third version of the Diriyah Modern Artwork Biennale in Saudi Arabia, opening in January, 2026. Razian is deputy director and head of exhibitions at Dubai’s Artwork Jameel, and Ahmed is a curator at Dubai’s Ishara Artwork Basis. [ArtReview]
The Kicker
YOKO ONO’S MIND. Yoko Ono’s largest retrospective so far, “Music of the Thoughts,” has traveled from the Tate Trendy and is at present exhibiting at K20 in Düsseldorf till March 16, earlier than heading to Berlin. Writing for the London Review of Books, Frances Morgan takes readers by means of the artist’s observe and radical pondering, in addition to the exhibit of over 200 items, which seems like one in every of this yr’s highlights. Ono, 92, who lived by means of the bombing of Tokyo by US forces, has seen “first-hand the expansion of the postwar counterculture trade, flyers and different ephemera recast as talismans for followers, investments for collectors or objects to be displayed in a museum or gallery,” writes Morgan. “An insistence on the facility of the speculative and a sense for the way in which materials issues accrue which means coexist in her work with out an excessive amount of friction,” she provides. A spotlight includes revisiting Ono’s 1971 piece through which she positioned adverts within the New York Occasions and Village Voice asserting her fictive, solo exhibit at MoMA. When guests got here to see the present, a person in a sandwich board instructed them Ono had seize flies in a jar, plus the perfume of her favourite fragrance, and launched them within the “actual middle of the museum.” Guests had been kindly invited to go discover them.
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